“I wonder how many of my ideals will be left to me,” sighed Joan. “I always used to regard the Press as the modern pulpit.” “I should have hated that,” he said, “if I had been Wagner.”!

The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. It ended in Joan’s promising to introduce her to discreet theatrical friends who would tell her of cosmetics less injurious to the skin, and advise her generally in the ancient and proper art of “making up.”

It took them aback at first. There were people who did this sort of thing. People of no class, who called themselves names and took up things. But for people of social standing to talk about serious subjects—except, perhaps, in bed to one’s wife! It sounded so un-English. Mary put the indigestible-looking pasties into the oven, and almost banged the door. Miss Ensor proceeded to lay the table. “How many, do you think?” she asked. Mary was doubtful. She hoped that, it being Christmas Day, they would have somewhere better to go. Joan was about to offer comment, but was struck dumb with astonishment on hearing McKean’s voice: it seemed he could talk. He was telling of an old Scotch peasant farmer. A mean, cantankerous old cuss whose curious pride it was that he had never given anything away. Not a crust, nor a sixpence, nor a rag; and never would. Many had been the attempts to make him break his boast: some for the joke of the thing and some for the need; but none had ever succeeded. It was his one claim to distinction and he guarded it.